Physical
Dimensions (W x H x D mm)
198mm x 133mm x 40mm / 7.8″ x 5.2″ x 1.57″
Weight
730g / 1.6 lbs
Mounting Points
Top: 1 x 1/4"20 or 3/8" with anti rotational points, Bottom: 1 x 1/4"20 or 3/8" with anti rotational points, Right: 1 x 1/4"20 or 3/8" with anti rotational points
Environmental
Ambient operating temperature
Up to 40 Degrees Celsius
Construction
Body
Aluminium Alloy Chassis with ABS Polycarbonate Rear Enclosure
Cooling
Heat Sink + Actively controlled Fan
Tally light
LED on the Rear of the Device
Multi-Function Button
Power / Lock Screen
Touch Screen
Capacitive Touch
Power
Input Voltage
6.2V to 16.8V
Compatible Batteries
1 x NP-F / L-Series
DC in Connector
Locking DC Jack (5.5mm OD & 2.1mm ID)
D-Tap
Via optional D-Tap to DC-Barrel cable
Fan Control
Low, Medium, Auto / Turbo Cool / Dim Display
Display
Display Panel
SuperAtom IPS Panel (Capacitive Touch)
Size
7"
Resolution
1920 x 1200 (1920 x 1080 Image Display)
Viewing Angle
178 + H & V
PPI
325
Bit-Depth
10-bit (8+2 FRC)
Backlight Type
Edge-Lit
Brightness (cd/m²/ nits)
2000nit +/- 10%
Aspect Ratio
16:10 (16:9 Image Display)
Color Gamut
Rec.709
Calibration Support
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Arri LogC4, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log
Gamut
BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display
.Cube Format (17 & 33 points supported)
3D LUT Output
Loop out
3DLUT 50/50
Via Compare Option in LUTs Menu
Monitoring Modes
Native / 709 / HLG / PQ / 3D LUT
HDR Output Conversion
HLG / PQ
Color Management
Calibration
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display Controls
Backlight, Lift, Gamma, Gain
AtomHDR
Built-in Technical Log to HDR EOTF
3D LUTs
Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals
Legalize
Full to Legal Range Conversion available via Input Menu
Video Input
HDMI
1 x HDMI 2.0
SDI
1 x 12G SDI
Bit Depth
8/10-Bit for Video / up to 12-Bit for RAW
Video Chroma Subsampling
YCbCr 4:2:0 & 4:2:2
HDR
HDMI Auto Detection
Metadata
HDMI
RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut
SDI
File Name – Arri, Canon, RED, Sony. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut
File Naming
Standard
Scene/Shot/Take & Rolling Scene/Shot/Take
Via SDI
Auto-matched filenames from supported Arri, Canon, RED & Sony Cameras
Video Output
HDMI
1 x HDMI 2.0
SDI Loop / Play Out
1 x 12G SDI
Video Chroma Subsampling
4:2:2
Bit Depth
10-Bit
HDR
Yes with auto detection
Network
Ethernet
1GbE via RJ45
Wi-Fi
Wi-Fi 6E
Wireless RF
AirGlu™ SYNC Timecode Network
Atomos Cloud
Capture to Cloud (AtomosEdit, Frame.io, Sony CI Media), Live Stream (Facebook, Twitch, YouTube, Custom RTMP), Atomos Live Production
Cellular
Connect to Hotspot via Wi-Fi
Web Streaming
RTMP / S
Destination configured via Atomos Cloud Studio
Video Signal Conversion
HDMI to SDI
Supported
SDI to HDMI
Supported
Audio In/Out
Audio Quality
24-Bit / 48kHz
Audio Codec
PCM
HDMI
8ch 24-Bit, Input dependent
SDI
12ch 24-Bit, Input dependent
Analog Audio In
3.5mm Jack
Analog Audio Out / Headphone Jack
3.5mm Jack
Audio Input Delay
Frame Delay on Analog Input + Automatic Offset Calibration via AtomOS
Timecode / Sync
HDMI Embedded
Supported
SDI Embedded
Supported
Time of Day
Supported
Wireless SYNC
AirGlu™ SYNC timecode network
RF Network Range
300m
RF Frequency
Region dependent
Number of Channels
12 RF channels per Region
Number of RF Clients
Region dependant
Bluetooth Network Range
10-15m (Line of Sight)
Number of BT Clients
2 Clients
Resolution and Frame Rates (Record, Monitor & Playback)
8K RAW
up to 8Kp30 via HDMI
6K RAW
up to 6Kp60 via HDMI & 6Kp30 via SDI
4K RAW
up to 4Kp120 via HDMI / SDI
3.5K Anamorphic RAW
up to 3.5Kp60 via HDMI
2K RAW
up to 2Kp240 via SDI
4K DCI
up to 4Kp60
4K UHD
up to UHDp60
2K DCI 2048 x 1080
up to 2Kp60 via SDI
FHD 1920 x 1080 Progressive
up to 1080p120
FHD 1920 x 1080 PsF
Only via Pulldown to Progressive
FHD 1920 x 1080 Interlaced
1080i50 / 1080i60
1280 x 720p
up to 720p60
Recording Codecs
Apple ProRes RAW
ProRes RAW & RAW HQ
Apple ProRes
HQ, 422, LT
Avid DNxHD
220x, 220, 145, 36 (.MOV Wrapper – .MXF Support coming soon)
Avid DNxHR
HQX, HQ, SQ, LB (.MOV Wrapper – .MXF Support coming soon)
H.265
XQ, HQ, MQ, LQ (.MOV Wrapper)
Recording Functions
Camera to Cloud
H.265 uploaded to Atomos Edit, Adobe Frame.io, Sony CI Media
Simultaneous Proxy Recording
ProRes RAW / ProRes / DNx + H.265 Proxy in C2C Mode
Pre-roll Recording
8s HD / 2s 4K – ProRes & DNx only
Timelapse
Supported
Gang Control
Via AirGlu™ SYNC Timecode Network
Scheduled Recording
At specified Time of Day or after a specified Time has elapsed
Playback
Playlist
Selected Clips, Favorites, or Combined
Loop
Supported, with user-customizable In / Out Markers
Apple ProRes RAW
Recorded clips only
Apple ProRes
HQ, 422, LT (Linear PCM Audio only)
Avid DNx
DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
H.265
Recorded clips only
Scheduled Playback
At specified Time of Day or after a specified Time has elapsed
Supported Media
Master Caddy I
Not Supported
Master Caddy II
Supported
Master Caddy III
Supported
SSDmini
Supported
CFast 2.0
Supported via optional AtomX CFast 2.0 Adapter
Network
Capture to Cloud via Atomos Cloud Studio
File System
exFAT
Interface
SATA 3.0
On-Screen Tools
Waveform
3 Sizes – Adjustable Opacity & Brightness
RGB Parade
3 Sizes – Adjustable Opacity & Brightness
Vector Scope
2 Sizes – Adjustable Opacity & Brightness
1 x Zoom
Tap to Zoom
2 x Zoom
Tap to Zoom
Focus Peaking
3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity
Zebra
Adjustable Threshold (50% to 105%)
Isolate Color Channel
Blue Only
Cine Frame Guides
6 Presets & Custom Frame Guide Calculator
Social Frame Guides
4 Presets & Custom Frame Guide Calculator
Safe Areas
SMPTE Safe Title Area – 93% & 90%
Grid Markers
9 Grid
Anamorphic Desqueeze
2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x
Display Flip
Vertical
Colorized Exposure
Atomos False Color, EL Zone System, Arri False Color
Frame Grab + Onion Skin Overlay
Capture lossless 1920 x 1080 Pixel Frame Grab & Overlay with various Position + Transparency Options
Onboard Signal Processing
4K UHD Downscale for HD
Available on loop out
DCI Crop
Available on loop out
8K RAW to 4K Video Loop Out
Available on loop out
Interlaced to Progressive
2:2 & 3:2 Pulldown
PsF to Progressive
2:2 & 3:2 Pulldown
NDI HX3
$/€99 optional Activation available via my.atomos.com
Remote Control
HDMI
Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run)
SDI
Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) (optional Atomos Connect Accessory required)
Serial 2.5mm Jack
Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable
Bluetooth LE
via AtomRemote App
Wireless RF
AirGlu™ Gang Control
External Device Control
Serial 2.5mm Jack
Z CAM Camera Control via Remote to USB-C Cable
Cut & Tag
FCP XML
Up to 10 Tags supported for each Clip
Supported Applications
XML
Apple Final Cut Pro (.fcpxml)
Apple ProRes RAW
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight
Video Codecs
All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV Wrapper